Image: Le Beanock.
Its origins lost in antiquity, the hammock has been a popular and practical alternative to terra firma sleeping arrangements for thousands of years. Le Beanock’s contribution to this tradition is scale: slung between walls on a series of heavy-duty chains, their double-sized (but presumably only one-person) hammock is an eye-catcher, a room centerpiece and a sheer joy when it is time to sweep the floor.
Images: Max Longin.
But other modern beds also aren’t keen on being grounded either. Take the Bed Float - not only can it be fully dismantled in a jiffy (with part of the bed frame forming a carrying case), it is also designed to look as if it’s touching the ground as little as possible.
Images: Lago and Yanko Design.
Similarly overcome with the urge to levitate are these two beds. Joel Hesselgren’s vision is of bed legs that also double as side tables, in a modular design that can be divided into singles or doubled up and expanded as need be - “a bed that grows with you”. Lago’s Fluttua bed aims for a David Blaine trick: from the right angle, there is nothing but air under this bed.
Images: New York Times and Shawn Lovell Metalworks and Casket Furniture.
Children like their beds to look like anything but beds (for example, pirate ships are popular) but this habit is not just confined to the kids. The Okooko bed looks almost seaworthy, albeit in a Columbus rather than Blackbeard style. The Tree Bed - part four-poster, part Lothlorien - can’t make up its mind whether it is a bed or a bird’s nest. And the Casket Bed seems perhaps a little too perfect for those with an angsty, gothic-revival obsession with creatures of the night.